Tag Archives: Francis Bacon

Bacon Seeks The Golden Mean Between Popery & Profanity

Francis Bacon was no atheist; he sought to tread the via media of the reformed English church between the two extremes of Popish superstition on the one hand and profane superstition on the other. In his Meditationes Sacrae, in the … Continue reading

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Finding Machiavelli And His Ideas In The Plays Of Shakespeare, by David Hurley

Eighty-five years after his death in 1527, Niccolo Machiavelli made his first appearance on the London stage in the prologue to Christopher Marlowe’s play, The Jew of Malta, which was first performed in 1592. This lecture looks at how the Italian “Machiavelli” was transformed into the English “Machiavel” and how both the Machiavel and Machiavellian ideas were presented in the plays of Shakespeare and his contemporaries. Continue reading

Posted in Christopher Marlowe, Francis Bacon, Henry V, John Foxe, John Roe, Machiavelli, Richard III, Shakespeare, The Jew of Malta, The Merry Wives of Windsor, The Spanish Tragedy, Thomas Kyd | Tagged , , , , , , , , , , , , , , , | Leave a comment

New Publication: “Janus of Imagination: Francis Bacon’s Theory of Imagination and the Wisdom of the Ancients”, by David Hurley

A basic version of David Hurley’s Master’s thesis, Janus of Imagination: Francis Bacon’s theory of imagination and the Wisdom of the Ancients is now available on this website in PDF format. The full text of the thesis and the complete bibliography are included. Continue reading

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Janus of Imagination: Francis Bacon’s Theory of Imagination and the Wisdom of the Ancients, by D. P. Hurley

In this dissertation I discuss some aspects of Bacon’s philosophical, and prudential “doubleness” in relation to his theory of the imagination, and in relation to the development of his attitude to fable in the years that led up to the publication of De Sapientia Veterum Liber in 1609. Continue reading

Posted in Academic Papers, Charles W. Lemmi, Francis Bacon, John C. Briggs, Sir Arthur Gorges | Tagged , , , , , , , | Leave a comment

Magi Imaginationis: Imagining Alchemists and Magicians in New Atlantis, The Tempest, and The Alchemist, by D. P. Hurley, 1998

In the epilogue to Shakespeare’s Last Plays Frances Yates not only reaffirms her view that Jonson’s The Alchemist and Shakespeare’s The Tempest offer two conflicting representations of the Renaissance magus, but on the pre-proto-penultimate page she introduces the ghostly figure of Bacon and links him with Shakespeare and ‘the Renaissance Hermetic tradition’. She quickly informs us that she is ‘absolutely convinced that the real author of the works of Shakespeare was Shakespeare’ and expands on her absolute conviction with a cut-and-dried full stop – which is somewhat qualified by the first word of the next sentence: ‘Yet…’. Continue reading

Posted in Academic Papers, Ben Jonson, Francis Bacon, Francis Yates, Shakespeare, The Tempest | Tagged , , , , , | Leave a comment